In the enormous series of self-portraits by Philip Akkerman (1957), the artist varies elements including the position of his head. In his picture, the viewer sees three-quarters of the right side of his face. On other works, we see the other side of his face, or he looks straight at us. His expressi
...on is always serious, as he is focused on what he is doing – it’s difficult to make a self-portrait while constantly smiling in front of a mirror (although some artists have successfully done so).
Long-term loan from the Cultural Heritage Agency.
Text: Renate Ketelaars, guide and museum hostIn the enormous series of self-portraits by Philip Akkerman (1957), the artist varies elements including the position of his head. In his picture, the viewer sees three-quarters of the right side of his face. On other works, we see the other side of his face, or he looks straight at us. His expression is always serious, as he is focused on what he is doing – it’s difficult to make a self-portrait while constantly smiling in front of a mirror (although some artists have successfully done so).
Long-term loan from the Cultural Heritage Agency.
Text: Renate Ketelaars, guide and museum host
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Artist
Philip Akkerman
Title
Self-Portrait
Year
1988
Technique
Oil and tempera on canvas on panel
Size
40 x 34 cm (h x w)
Type of object
Painting
Copyright
Uknown
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