In contrast to the well-stocked tables of the wealthy captured in 17th-century Dutch pronkstillevens (‘ostentatious still lifes’), in 1942, Johan Ponsioen painted a humble, popular still life with bread, a cob of corn and pitcher of gin. The harsh realism and thoughtful colours give the scene with l
...ight-dark contrasts a Spanish flavour. The earthenware bowl and jug are badly damaged, the purply-blue enamelled flask is faring slightly better. The red chequered tea towel and the white tablecloth appear to be washed and ironed. This is a visualisation of genteel poverty.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, GorsselIn contrast to the well-stocked tables of the wealthy captured in 17th-century Dutch pronkstillevens (‘ostentatious still lifes’), in 1942, Johan Ponsioen painted a humble, popular still life with bread, a cob of corn and pitcher of gin. The harsh realism and thoughtful colours give the scene with light-dark contrasts a Spanish flavour. The earthenware bowl and jug are badly damaged, the purply-blue enamelled flask is faring slightly better. The red chequered tea towel and the white tablecloth appear to be washed and ironed. This is a visualisation of genteel poverty.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, Gorssel