In silent films, the camera zooms in on faces to capture their expression. And that’s exactly what Charley Toorop does in this self-portrait. Her radically enlarged eyes are not endearing – as with children. Toorop stares intently back at herself, and at us as viewers. She – traditionally – composed
... the severe portrait with a cool and warm side. What are the random colours in the top right conveying? A flat lady’s hat? No, it’s her palette, hung on the wall, with the actual smears of leftover paint.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, GorsselIn silent films, the camera zooms in on faces to capture their expression. And that’s exactly what Charley Toorop does in this self-portrait. Her radically enlarged eyes are not endearing – as with children. Toorop stares intently back at herself, and at us as viewers. She – traditionally – composed the severe portrait with a cool and warm side. What are the random colours in the top right conveying? A flat lady’s hat? No, it’s her palette, hung on the wall, with the actual smears of leftover paint.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, Gorssel