Gulp. Being looked at so penetratingly by the sitter in a portrait of someone you don’t even know can be unsettling. Lampe paints a child peering out at us with an angry, unfathomable look from under a hoody. The larger-than-life format heightens the sense of menace. The technique also factors in. I
...n the pale, overexposed face, Lampe smoothly painted away colour accents around eyes, nose and lips thanks to the viscous oil paint.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, GorsselGulp. Being looked at so penetratingly by the sitter in a portrait of someone you don’t even know can be unsettling. Lampe paints a child peering out at us with an angry, unfathomable look from under a hoody. The larger-than-life format heightens the sense of menace. The technique also factors in. In the pale, overexposed face, Lampe smoothly painted away colour accents around eyes, nose and lips thanks to the viscous oil paint.
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, Gorssel