Less than a decade after painting this sober still life, Edgar Fernhout turned to abstraction. Two square medicine bottles (filled with turpentine?) and two large bottles. At the top of the left-hand bottle, a flicker of leftover cadmium red paint serves as a colour highlight. The more coarsely pain
...ted rags resemble miniature mountains, which Fernhout has reduced to shards and squares of colour. Does the ‘enclosed’ cork at the bottom of the bottle symbolise that in this still life, Fernhout still feels trapped in a style not his own, namely that of his mother Charley Toorop?
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, GorsselLess than a decade after painting this sober still life, Edgar Fernhout turned to abstraction. Two square medicine bottles (filled with turpentine?) and two large bottles. At the top of the left-hand bottle, a flicker of leftover cadmium red paint serves as a colour highlight. The more coarsely painted rags resemble miniature mountains, which Fernhout has reduced to shards and squares of colour. Does the ‘enclosed’ cork at the bottom of the bottle symbolise that in this still life, Fernhout still feels trapped in a style not his own, namely that of his mother Charley Toorop?
Text: Chris Reinewald
From: Museum MORE: 100 jaar realisme, 2020, Gorssel